rsz_eno_xerxes_-_alice_coote_1_c_mike_hobanI began this review thinking comparisons with those who have previously sung these roles in Nicholas Hytner’s extraordinary 1985 production of Xerxes should probably be avoided, but, wouldn’t you know, my fellow critics across the broadsheets and internet have leapt into this muddy pit with gusto. I feel transported back to a typical 18th century theatre where those in the more expensive boxes of the third tier would throw pasta onto the heads of the poor souls in the “pit”, while the rival supporters of the castrati challenge each other in the streets surrounding what is now Trafalgar Square.

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